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Sunset Poetry by the Bay at Studio 333
333 Caledonia Street, Sausalito, Calif.
Wednesday, September 15 from 7 p.m. to 9 p.m.
Zara
Raab, Mark Turpin, Gillian Conoley & Stefanie Marlis
Zara
Raab’s poems appear in
West
Branch, Arts & Letters, Nimrod, Spoon River Poetry
Review, and
elsewhere. She has literary reviews now (or forthcoming) in
Poetry
Flash, Rattle on-line, Valparaiso Poetry Review, and Colorado
Review. Her Book of Gretel came out this spring; her first
full-length collection, Swimming the Eel, is due out in
2011. She
lives and writes in San Francisco.
Mark
Turpin's first full-length
collection, Hammer, published by Sarabande Books, won the Ploughshares'
Zacharis First Book Award in 2004. In 1997 he received a
Whiting
award. His poems have appeared in the The Paris Review, The
Threepenny Review, and Slate among others; they have
been read
on the Lehr News Hour (for Labor Day) and by Garrison Keillor for
The Writer's
Almanac. His work appears in many anthologies, and is also
embedded in a
Berkeley sidewalk as part of the Addison Street Anthology,
selected by Bob
Hass. He is the son of a Presbyterian minister. He received a
Masters in
Poetry from Boston University at age 47, otherwise, he has spent
25 years
working construction and building houses. He lives and works
in Berkeley,
California.
Gillian Conoley was born in
Austin Texas,
where, on its rural outskirts, her father and mother owned and operated
a radio
station. Her most recent collection is THE PLOT GENIE with Omnidawn
Publishing
(fall 2009), which is just going into its second printing.
She is the author of six collections of
poetry, including PROFANE HALO, LOVERS IN THE USED WORLD, and TALL
STRANGER, a
finalist for the National Book Critics Circle Award. Her work has
received many
prizes, including the Jerome J. Shestack Poetry Prize from The
American Poetry Review, a
National Endowment for
the Arts grant, and a Fund for Poetry Award, and has been anthologized
in over
20 national and international anthologies, including W.W. Norton’s American
Hybrid, Counterpath’s Postmodern
Lyricism, and Oscar
Mondadori’s Nuova
Poesia Americana. Editor and
founder of Volt magazine, she teaches in the
Program for Writers and Poets at Sonoma State University. She is
currently
translating Henri Michaux’s Four Hundred
Men on the Cross.
Stefanie Marlis's first book of poetry, Slow Joy,
won the
Brittingham Prize from the University of Wisconsin in 1989 and the
Great Lakes
Colleges Association New Writers Award in 1990. She has received a
fellowship
from the National Endowment for the Arts, as well as three California
prizes:
two Marin Arts Council Awards and the Joseph Henry Jackson Award. Her
work has
been published in numerous journals, including Zyzzyva, Arshile,
American
Poetry Review, Poetry, Manoa, The Gettysburg Review, and Volt.
Marlis has taught at the College of Marin, San Francisco State
University, and
the University of San Francisco. She now makes her living as a
freelance
copywriter. In this capacity, she has recently written a book entitled The
Art of the Bath for Chronicle Books. Marlis lives in San Anselmo,
California, with her dog, Io.
Studio 333
Art Gallery ~ 333 Caledonia Street,
Sausalito, Calif. -- (415) 331-8272
More
info poetnews(at)sonic.net or visit www.studio333.info.